<div style=”margin-bottom:5px”> <strong> <a href=”http://www.slideshare.net/GianAlcantara/marcelo-hilario-del-pilar-y-lagman” title=”Marcelo hilario del pilar” target=”_blank”>Marcelo hilario del pilar</a> </strong> from <strong><a href=”http://www.slideshare.net/GianAlcantara” target=”_blank”>Gian Alcantara</a></strong> </div>
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Since this is hypothetical I am going to assume that I am winning a very big cash prize!
1. Buy a house! We live in a very cramped apartment right now (60 square meters). In my dream home my husband would have a wood-working shop complete with tools and lumber. I would have a yoga studio. The house would be decorated with furniture my husband made and with our art (like our apartment in Asheville where we made almost everything). The kitchen would be spacious and have plenty of storage since we cook a lot. And since I have a daughter, who will become a teenager eventually, I feel certain that we would need two bathrooms haha
2. Give back. My husband and I have discussed how we’d like to give money to our families (as soon as we our able to with or without winning the lottery). Right now…
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The artists working for the Timurids were responsible for the development of a true national style of Persian painting. Shah Rukh (1404-1447) and his son Baisunkur Mirza were great patrons of the arts of the book. One of the earliest Timurid paintings in the Burnett collection represents a pair of lovers in a garden, probably Humay and Humayun. It is unusually large, measuring I9 Y by 12 9/6 inches, and comes from the same manuscript of Rashid ad-Din’s Jami at-Tawarikh, or “Universal History,” as the Jonah and the Whale in the Metropolitan Mu-seum. This work of the famous Mongol historian and vizier of emperors Ghazan and Uljaitu re-mained popular under the Timurids. Several Timurid miniatures in the Burnett Be-quest came from another copy of the Jami at- Tawarikh which can also be dated in the period of Shah Rukh. Here, as in the miniature repre-senting the pilgrimage of Adam, the Timurid style is fully developed. Of particular interest is the treatment of the landscape with spongy mountains that appears in so many Timurid paintings of the fifteenth century. Another Timurid miniature in this collection is a rare painting on silk. Only very few Persian silk paintings are in existence. One is in the Boston Museum and another one was formerly in the collection of Countess de Behague in Paris. The Burnett painting represents a garden scene with two lovers.
The artists working for the Timurids were responsible for the development of a true national style of Persian painting. were great patrons of the arts of the book. One of the earliest Timurid paintings in the Burnett collection represents a pair of lovers in a garden, probably Humay and Humayun. It is unusually large, measuring I9 Y by 12 9/6 inches, and comes from the same manuscript of Rashid ad-Din’s Jami at-Tawarikh, or “Universal History,” as the Jonah and the Whale in the Metropolitan Mu-seum.
The peeling paste-up
ONE OF THE MOST POPULAR forms of street art in Melbourne is the paste-up: printed or drawn posters adhered to city walls with a wheat-based glue. The physical insubstantiality of paste-ups renders them particularly ephemeral — they do not have the ‘sticking power’ of paint — yet this also makes them particularly ‘active’ components of the city footprint. The effects of time and human interface are readily wrought upon their surface. Older paste-ups peel away from the walls on which they are stuck; new ones are pasted over them, perhaps in turn to be painted over by following artists, tagged by graffitists, or torn down by council cleaning teams. For artist Miso, the traces of the ‘life’ of the poster are part of its appeal as an art form:
There is a certain excitement in nature and the city reclaiming that piece and the way people interact…
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