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Relating the concept of space with continuity, movement and time has been the tendency
of historians as early as the 19th century. However, time is not considered as a dimension of
space before the 20th century. Despite Futurist Filippo T. Marinetti who claims
“time and space
died yesterday” (Caws, 2001: 187), space-time becomes a new concept in art and architecture
with the influence of Albert Einstein’s theory of relativity in physics and the mechanical
improvements in technology. Four-dimensional space replaces Euclidean space first in Cubism.
The concept of simultaneity brings forth the coexistence of more than one point of view
expressing aesthetic experience in time. Representation of the visual memory of a moving
observer is preferred to optical vision in Cubist paintings.
Abbott’s subjects were people in the artistic and literary worlds, including French nationals (Jean Cocteau), expatriates (James Joyce), and others just passing through the city. According to Sylvia Beach, “To be ‘done’ by Man Ray or Berenice Abbott meant you rated as somebody”. Abbott’s work was exhibited with that of Man Ray, André Kertész, and others in Paris, in the “Salon de l’Escalier” (more formally, the Premier Salon Indépendant de la Photographie), and on the staircase of the Théâtre des Champs-Élysées. Her portraiture was unusual within exhibitions of modernist photography held in 1928–9 in Brussels and Germany.
In 1925, Man Ray introduced her to Eugène Atget‘s photographs. She became a great admirer of Atget’s work, and managed to persuade him to sit for a portrait in 1927. He died shortly thereafter. While the government acquired much of Atget’s archive — Atget had sold 2,621 negatives in 1920, and his friend and executor André Calmettes sold 2,000 more immediately after his death — Abbott was able to buy the remainder in June 1928, and quickly started work on its promotion. An early tangible result was the 1930 book Atget, photographe de Paris, in which she is described as photo editor. Abbott’s work on Atget’s behalf would continue until her sale of the archive to the Museum of Modern Art in 1968. In addition to her book The World of Atget (1964), she provided the photographs for A Vision of Paris (1963), published a portfolio, Twenty Photographs, and wrote essays. Her sustained efforts helped Atget gain international recognition.
- Main Artists/Photographers in the Surrealist Movement (surrealismphotography.wordpress.com)
- Eugene Atget. (savannahliu.wordpress.com)
- Street Photography – from Atget to Cartier-Bresson (Photography Art Ebook) PDF (konradebooks.wordpress.com)
- Surrealist Photography (arkaphotography.wordpress.com)
- Street photography (itscitrarizqinow.wordpress.com)
- Accidents of History (theonlinephotographer.typepad.com)
- New York Arbor by Mitch Epstein – review (guardian.co.uk)
- On Taking Pictures 55: When Life Gives You Lemmings (5by5.tv)
- Best Case Fate for a Negative? (theonlinephotographer.typepad.com)
You better Start swimming or you will sink like a stone
People who take risks change the world few people ever get rich without taking risks too many people have come to depend on government to eliminate the risk of life. Finical intelligence is not so much how money you make but how much money you keep how hard that money works for you and how many generation you keep it for Some of more important real life business subjects network marketing companies teach are
An attitude of success
Overcoming personal fear doubts and luck of confidence
Overcoming the fear of rejection
Money management skills
Time management skills
It is a sin to make a mistake and not to learn from it
Making mistake and not admitting it or blaming someone else for your mistake is a sin
Make mistakes correct, learn and grow that’s life changing education.
- Failing to Succeed (mgunderson21.wordpress.com)
- Understand What Robert Kiyosaki Network Marketing Is All About (marketingwithkevinlau.wordpress.com)
- Life changing quotes (slideshare.net)
- Why MLM is misunderstood (lagrassfitness.wordpress.com)
- Why I don’t always post online? (smartpinoynetworking.com)
- I’m Attending Robert Kiyosaki’s Free Workshop (mastering-money.com)
• The growth of the World Wide Web has led to a new profession–that of the Information Architect. These specialists aim to build Web sites that are more clearly understood and more easily navigated by human users.
• While this metaphor seems to be providing a valuable model for building better Web sites, what are the elements mapped by this metaphor from the domain of architecture to the domain of Web design?
• Specifically, do we really communicate through architecture?
• And if we do communicate through architecture, what is the nature of that communication?
• There are a number of possible communication theories that can shed light on the nature of communication through architecture.
However, I believe these are inadequate to capture the complete nature of architecture. I believe that our understanding of architecture is itself a metaphorical understanding, and it would be most fruitful if we recognized it as such.
- The Nature of Architectural Communication (archiabyssina.com)
- Getting Your Web Site’s Structure Right (tc.eserver.org)
- New Architecture Courses at UCA Canterbury (prweb.com)
- New Reference Architecture to Address the Needs of IT Departments to Meet Compliance Security, Reporting, and Auditing Requirements Proposed by Network Critical (prweb.com)
- Our Art and Science (Architecture)”Architecture is a blend of (lindoklang.wordpress.com)
- Information Architect/UX Strategist (gowork.at)
- architecture is like a language (archiabyssniya.wordpress.com)
- Architecture Like a Book !!! (archiabyssina.com)
- Architects as humanists (archiabyssina.com)
- Modern engineering philosophies: Peter Rice and Ted Happold. (geraldmonroe.wordpress.com)