masterpieces of thirteenth-century Persian miniaturists
One Thousand and One Nights (Photo credit: Wikipedia)
The decoration of this fine Saljuk
The decoration of this fine Saljuk
pottery consists mostly of figure subjects, such as horsemen, seated and
standing figures of courtiers and princes, hunting scenes, and sphinxes. Three
of the outstanding bowls in the Schiff collection are decorated with the story
of BahramGur and his lute-player Azadah.
This popular theme
Firdausi. In two of our bowls two consecutive episodes of the story are repre-sented
simultaneously. BahramGur is shown transfixing with a single arrow the hind hoof and
ear of a deer, and the same scene includes the death of Azadah,
who, after making a mockery of BahramGur’s
skill, was thrown from the saddle and trampled to death.
These three bowls in
the Schiff collection are masterpieces of thirteenth-century Persian
miniaturists and are related to contemporary paintings in manu-scripts
of the Baghdad school. Through the generosity of Mr. and Mrs. A. Wallace
Chauncey the Museum received as a gift fifteen Persian and Mesopotamian
ceramics and two Syrian enameled glass beakers, from the Henry G. Leberthon
There are three outstanding examples of twelfth-century lusterware
from Rakka with elaborate arabesque designs and decorative writing.
Another im-portant piece is a thirteenth-century albarello
with painted decoration in white and gold on a cobalt blue background.
shape, which originated in the East, was adopted later by Italian potters.
Several examples of later Persian ware of the sixteenth and seventeenth
centuries belong to the so-called Kubatcha group, with
decoration consisting of plants and figures in monochrome or polychrome. This
ware, although found in Kubatcha in the Cau-casus,
should be regarded as Persian and was probably made in the region of Tabriz.
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The artists working for the Timurids were responsible for the development of a true national style of Persian painting. were great patrons of the arts of the book. One of the earliest Timurid paintings in the Burnett collection represents a pair of lovers in a garden, probably Humay and Humayun. It is unusually large, measuring I9 Y by 12 9/6 inches, and comes from the same manuscript of Rashid ad-Din’s Jami at-Tawarikh, or “Universal History,” as the Jonah and the Whale in the Metropolitan Mu-seum.
The peeling paste-up
ONE OF THE MOST POPULAR forms of street art in Melbourne is the paste-up: printed or drawn posters adhered to city walls with a wheat-based glue. The physical insubstantiality of paste-ups renders them particularly ephemeral — they do not have the ‘sticking power’ of paint — yet this also makes them particularly ‘active’ components of the city footprint. The effects of time and human interface are readily wrought upon their surface. Older paste-ups peel away from the walls on which they are stuck; new ones are pasted over them, perhaps in turn to be painted over by following artists, tagged by graffitists, or torn down by council cleaning teams. For artist Miso, the traces of the ‘life’ of the poster are part of its appeal as an art form:
There is a certain excitement in nature and the city reclaiming that piece and the way people interact…
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A simple hearing error.
How often anymore does the typical student encounter the word penchant? Still, somebody she heard had encountered it…or that person had heard it from someone who had encountered it…all the way down into the Quaker Oatmeal box, at some point in which sequence there was a person who actually knew the word was penchant. Whoever heard that person, though, didn’t know the word, and in came “pension.”
How strange it is that college undergraduates would be more likely to know the word “pension” than “penchant.” Are they thinking about retirement before they even enter the ranks of the employed? It’s possible to receive a pension without retiring, as Webster’s first and second variants on definition #1 show: “a fixed sum paid regularly to a person; a gratuity granted (as by a government) as a favor or reward.” But there’s our common understanding, in definition…
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Here we discus the important role that architecture and construction has always had in the Identity of different cultures. We talk about the gradual disappearance of building traditions And skills . we touch upon projects that deal with sites of a global importance and the political Building has always been of utmost importance and value for the expression of individual Cultures
Tickets are still available for this weekend’s Grand Central Art tour. On Saturday, June 8 at 11AM, join AFT Deputy Director Amy Hausmann for a unique tour of the permanent artwork installed throughout Grand Central Terminal, including a special curator’s view of ON TIME | Grand Central at 100 organized by AFT and on view in the New York Transit Museum Gallery through July 7. Amy will be joined by artists Lothar Osterburg and Patrick Jacobs who will talk about the work they created especially for the exhibit. Reservations are required and available here.